Art Supply List

TOOLS AND EQUIPMENT FOR DRAWING

CANDI FEINBERG – FIGURE FROM BLACK & WHITE TO COLOR / DRAWING & PAINTING FROM THE FIGURE WITH FEELING & EXPRESSION

· Drawing Pad – Newsprint from charcoal ; Watercolor Pad or Bristol drawing pad for pen & ink
· Drawing Tools – Charcoal; Graphite pencils; Pen; Brushes, Kneaded Eraser
· Painting Tools – Watercolors, India ink, Water container
· Misc. – Paper towels, Board to clip paper on, Clips to hold paper

SUSAN MANSPIZER – DRAWING & PAINTING

· 1 – 18×24 Newsprint pad (heavy paper)
· 1 – Box Compressed Charcoal – very soft – dark
· Misc: Inks optional, Pens, Can for water, Paper towels, Rag, Brushes (various size & type)
· Paints – Acrylics /studio size
Cerulean Blue, Ultramarine Blue, Cad. Red Med & Light, Alizarin Crimson, Cad yellow Med & Light, Yellow Ochre, raw Umber, Permanent green, Thalo Green, payne’s Grey, Titanium White (large tube)

TOOLS AND EQUIPMENT OIL PAINTING

EDLA CUSICK – THE CREATIVE PROCESS
  • PAINTS:
    · Titanium White or Flake White
    · Red – Cadmium, Alizarin Crimson*
    · Blue – Ultramarine *, Prussian*, Cobalt
    · Yellow – Cadmium, Indian, Ochre
    · Green – Earth, Sap*
    · Raw Umber , Burnt Umber
  • (* Transparent )
    · Misc. – Brushes, palette knives, paper palette, turpenoid liquin or any other painting medium.
    · Stretched canvas.
  • · PAINTING SURFACE
    Stretched canvas (12×16” or 16×20” are good sizes to begin with)
    Gesso primed panel (12×16 1/8” Masonite or equivalent prepared commercially or by yourself)
  • · MISC.
    Medium-sized painting knife and/or palette knife. Small cup for holding liquid medium/mineral spirits. Small container of odorless mineral spirits- Sunnyside brand is cheap and very good. Small quantity of vegetable oil and liquid or solid soap for cleaning brushes; paper towels and disposable plastic bags for refuse.
    • MAX HORBUND – PAINTING LANDSCAPES: INSIDE/OUTSIDE/ CRAFT AND THEORY OF PAINTING/ OIL PAINTING: STILL LIFE/LIFE PORTRAIT
    • · BRUSHES:
      Assortment of white bristle FILBERT shaped brushed #4 thru #10 with two or more of sizes 4 and 6. Paint’s white handle hog bristle brushes, Robert Simmons, Grumbacher Degas series or Princeton pure bristle among other brands.
    • · PALETTE
      16” x 12” (fits plastic palette keeper) or larger palette made from middle value wood, Lucite or Masonite manufactured or cut to size by a hardware store. These palettes are usually about 1/8th inch thick. If you have a 1/8th inch Lucite panel cut for you, leave the protective contact paper on one side to provide the middle value. Seal the Masonite with one or two coats of shellac (break the shine, wipe with alcohol and coat with shellac when dry).
    • · PAINTS
      Alizarin
      Cadmium Yellow
      Cadmium Orange
      Yellow Pale or Lemon
      Red light
      Crimson Red
      Raw Sienna
      Raw Sienna
      Burnt Sienna
      Raw Umber
      Viridian green
      Cobalt Blue
      Ultramarine Blue
      Ivory Black
      White = Utrecht white, Permalba, or another titanium / zinc mixture
      Other useful colors: Zinc white, Viridian, Sap Green, Indian Yellow
      Do not buy ‘student grade’, ‘sketch grade’, ‘Hue’, or anything other than regular professional grade paints. OK brands include: Utrecht, Rembrandt, or other premium brands.
    JOHN VARRIANO – DYNAMIC FIGURE DRAWING / PORTRAIT

    TOOLS AND EQUIPMENT FOR PAINTING – WATERCOLORS

    MARCIA RIEFF – BEGINNERS WATERCOLOR

    Please purchase the best quality materials you can afford. Quality does make a difference
    Michaels and AC Moore have most of these items and you can also order through Cheap Joe’s Art Stuff catalog for wonderful inexpensive choices. www.cheapjoe.com or call for catalog 1-800-227-2788.If you have painted before, please bring the materials you usually use.
    · PAINTS: One tube each watercolor paint- Permanent Rose, Cobalt Blue, Sap Green and Lemon or Aureolin Yellow. Cotman at AC Moore or Michaels to begin with.
    · BRUSHES: one 1” or 1-1/2 inch good wash brush and one #10 or 12 round brush. A rigger brush can be purchased now or later.
    · PAPER: Arches 9 x 12 watercolor block – 140 lb.Cold Press (expensive so use your coupons) or you can purchase a full sheet or two of good paper from me at $1.00 each and it can be cut to the sizes we will work with for the whole workshop.
    · PALETTE: Craft stores have inexpensive plastic palettes. Get one at least dinner plate size with divided sections. Even three section Styrofoam plates from the Dollar Tree work well to start.
    · WATER CONTAINER: Plastic tubs from margarine or large yogurts will do or Dollar Tree/3 section divided plastic for leftovers is terrific.
    · MISC. Standard Kitchen sponge (no rough side), paper towels or tissues, masking tape 1” size (try Dollar Stores for inexpensive roll).
    · SKETCH BOOK
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    CHRISTINE FRIEDMAN – INTERMEDIATE & ADVANCED WATERCOLOR
    • PAINTS
      · Blues : Cerrulean, Peacock, Cobalt, Cobalt Turquoise, Ultramarine, Antwerp or Windsor, Holbein Blue Grey
      · Green: Sap, Olive, Viridian, Windsor, Grumbaucher – Thalo Yellow Gr, Windsor Emerald
      · Yellows & Reds: Aureolin Yellow, Lemon Yellow, Cad. Yellow, Naples Yellow, Ochre, Cad. Orange, Cad Red , Permanent Rose, Windsor Red, Opera Pink
      · Brown: Sepia, Burnt Sienna
    • BRUSHES
      · Robert Simmons or Lowell Connell ; 1” Flat, 1.5” Flat, 0.5” Flat, #14 Round, #3 Rigger
    • PAPER
      · Arches Cold Pressed 140 lb.
      · Lana Aquarelle 140lbs.
    PEGGY DRESSEL – THE FIGURE IN WATERCOLOR / PORTRAIT & THE CLOTHED FIGURE
    • · PAINTS
      Lemon Yellow, Cadmium Yellow, Aureolin, Cadmium Orange, Rose Madder, Alizarin Crimson, Cadmium Red Dark, Cerulean Blue, Ultramarine, Cobalt Blue, Cobalt Violet, Viridian Green, Sap Green, Raw Sienna, Burnt Sienna, Black.
    • · BRUSHES
      One or two Round-synthetic watercolor brushes – 5 to 7
      Large Round-synthetic brush- size 12- Short Handle- Pearl Fashion 500 or Pearl 308 (?)Flat brush-synthetic ¾ to 11/2”
    • · PAPER
      Arches 1401b Cold Press Watercolor Paper 22” x 30”
    • · OTHER EQUIPMENT
      Roll of paper towels
      #2b lead pencil
      Staedtler Mars-Plastic eraser
      Kneaded eraser
      Two plastic containers for water
      Masking tape
      Foam core board or cardboard 15” x 20” space for mixing
      Hair dryer (optional)
      Sketch book paint
      One plastic large lightweight palette with a cover
      Spray bottle
      If you have paints, brushes and paper,
      Bring what you have to the first class.

    TOOLS AND EQUIPMENT FOR PASTEL

    PEGGY DRESSEL – THE FIGURE IN PASTEL / PORTRAIT & THE CLOTHED FIGURE
    • For the first class, bring whatever pastels and pastel paper that you have or have been using. We will discuss what you need at the first class. If you don’t have any supplies, try to bring at least the following:
      · 2b Pencil
      · Kneaded eraser
      · Masking tape
      · Charcoal Paper, White or Gray
      · White, Gray, and Black pastels or Charcoal.

    TOOLS AND EQUIPMENT FOR PHOTOGRAPHY

    JIM EDMONDS – TECHNIQUE & DARKROOM

    · 400 ASA Tri – X Black & White Film
    · Poly Contrast Photo Paper (5 x 7)

    TOOLS AND EQUIPMENT FOR PRINTMAKING

    SYLVIE COVEY – PRINTMAKING
    • · BASIC MATERIAL FOR ETCHING
      (For advance students speak to the instructor)
      Copper Plate
      Etching Needle, Scraper, Burnisher
      Etching Inks – Black
      Tarlatan
      New Print Pad
      Printing Paper: Rives, BFK, Arches
      Apron, gloves
      Sandpaper
    • · BASIC MATERIAL FOR PHOTO ETCHING:
      All of the above (Etching)
      A Positive halftone black & white image on acetate
      ( It can be Xeroxed on acetate or computer laser print on acetate or Digital halftone or Litho film with halftone screen 851.dot)
    • · MATRIAL FOR RELIEF PRINTMAKING:
      Woodcut / Linocut
      Blocks: 12” X 16’
      Fruitwood – Cherry, Pear
      White woods – Bass, Poplar
      Common – Clear, Pine
      Carving Tools
      Knife, Gouges, Chisel
      Brayers, Rollers
      Paper for printing
    • · WATERCOLOR MONOTYPE:
      Paper: Arches 640gms; Rives white
      Plate: Plexi glass which has sanded with 100grit sandpaper
      Paint Windsoer Newton/ Holbein/ Daniel Smith watercolor tubes
    TAI – HWA – GOH – AN INTRODUCTION TO PRINTMAKING
    • · Speedball linocut tool : For wood carving tool that is made from Sakura or Loew Cornell)
      · Wood blocks: (2 pieces of 6” x 8” x 14” birch plywood from lumberyard or Home Depot, Students may purchase from the instructor).· Linoleum: 2 pieces 6” x 8” (or larger), mounted or unmounted – find at local art store or www.dickblick.com
    • · Printing papers:
      Newsprint pad (18” x 24”), light drawing papers, 10 sheets of sumie papers (11” x 9”), Japanese papers (students may purchase from the instructor) or Rives lightweight –found at local art stores or www.dickblick.com
    • · Misc. Wooden spoon, tracing paper, wax paper
      · .8×10 (or larger) plexi glass piece (glass piece is ok but plexi glass is preferable) or disposable palette. 1 or 2 tube(s) of speedball block printing ink: black + one extra color
      · Ruler
      · Latex gloves, apron
      · Black marker, black drawing ink, brushes
      · White conte or crayons, pencils, erasers
      · Sketchbook
      · Portfolio (larger than prints)
      · Chipboard
      · Shop rags (one pack from Home Depot) or 1 roll of paper towel
      · Masking tape

    *(Other supplies will definitely be needed but they depend on student’s individual interest)

    TOOLS AND EQUIPMENT FOR SCULPTURE

    NATALIE FRIER – SCULPTURE – STONE
     BEN HORODNER – SCULPTURE – STONE

    ( Please call the instructor for more details about the following supplies)
    · Hammer
    · Chisels – 3
    · Goggles
    · Gloves
    · Rasps – 2

    THE COMPLEAT SCULPTOR

    90 Vandam Street
    New York NY 10013
    212-243-6074